Monday, 28 April 2014

KAUFMANFRANCO Fall/Winter 2014/15

KAUFMANFRANCO describes themselves as 'The New Sensualists' 

KAUFMANFRANCO's mix of sophistication and edge, luxury and function, handcrafted and high-tech offers up a body conscious sensuality as complex and provocative as the modern woman they dress.
"Although our aesthetic is trained in a similar way, interestingly enough, it is always the tension between us that pushes us creatively," says Franco.

This combustible mix of the raw and the refined, the spontaneous and the controlled, produces heat and balance, imbuing their work with a visceral energy. Simplicity is a unifying element of the KAUFMANFRANCO brand.
Franco comments, "We deliver clothes that are deceptively understated, but when you take a closer look at them, they are actually quite complex, not based on decoration but on the cut, fabric and meticulous detailing." Kaufman adds, "This detailing continues from the outside in, manipulating the construction of each garment in order to create an inside-out sexiness."

There's often a divided nature about Kaufmanfranco collections. At their best, Ken Kaufman and Isaac Franco walk a fine line between sexy and restrained, flashy and minimal.
Backstage before their Fall 2014/15 show, the designers summarized this season's artful contrasts: "If it was going to be indulgent, it was going to be very restrained more badass, but a little good girl, in keeping with the DNA of who we are." 
The first look out was a sleek white wrap dress cut from a flattering, compact material that hugged all the right curves. Granted, Diane von Furstenberg had a lock on the wrap dress category this week, but Kaufmanfranco's sharp take on the iconic style kicked things off on a high note. The duo continued to update classic staples such as tuxedo jackets, pencil skirts, and slim sheaths (in either double-face wool or napa leather) with discreet cutouts, high slits, and clean metallic accents. A "glacial blue" series felt particularly fresh, "like the icy top of a martini," Franco said.

Moving into eveningwear, the designers channeled a slight nineties vibe with long bias-cut slips they said were a tribute to Kate Moss. One in herringbone-printed silk had graphic appeal topped with a matching wool duster coat. Meanwhile, a similar periwinkle-colored number felt modern paired with a gauzy cashmere pullover that shrugged off the model's shoulder. Casual yet sophisticated, these standout slips added a needed softness to the lineup, and encouraged ample layering.  
"We wanted that intimate lingerie feel but also a protective shell. It's about mixing that vulnerable thing with the 'nobody's getting through this,'" said Kaufman.
Hence, a handful of high-tech parkas lined with plush mink. You could imagine a pretty young starlet wearing one in the car on her way to an event. She waits until the last moment, then whips it off just as she hits the red carpet, revealing a dazzling dress underneath there were plenty that fit the bill here. The finale group of high-wattage embellished gowns had definite bling factor. Several featured allover crystals that appeared to have been slashed, and the thousands of tiny bugle beads covering a long-sleeved column had a liquid silver effect that lit up the runway.

597 Fifth Avenue
New York, NY 10017
Phone 001 - 212 765 3900
Fax 001 - 212 765 9659

Selections by ANDREA JANKE Finest Accessories

Photo Credit / Source: VOGUE & KAUFMANFRANCO

One-part Native American, one part Inuit, one part American Hustle and all of it skimpy, slinky, sexy, ultra-sizzling, slightly seventies stuff. Fashion is always skating on thin ice when it starts naming indigenous peoples as inspiration, one would have to say.

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