The sound track of Mother Gong and Daevid Allen’s dreamily poetic “I Am a Tree” set the mood for Alberta Ferretti’s collection, a study in mixes of differing patterns revealed the technical skills of her famed workrooms.
Discover the AEFFE Fall/Winter '14/15 fashion show at the end of this post.
Feathers were cleverly worked to suggest blossoms nestled into mossy green lace or like ancient Inca ceremonial blankets the tiny iridescent feathers were densely laid on tulle in radial patterns to create the effect of balletic costumes out of Black Swan. Sometimes they appeared to melt surreally into prints and weaves or thickly reembroidered hand-knits depicting bird life. Although Ferretti has made airy, feminine dresses her signature, the diaphanous frocks in mixes of differing patterns of red and sage with white or tea-stained lace, however, strayed perilously into the territory marked so emphatically by VALENTINO’s Maria Grazia Chiuri and Pierpaolo Piccioli.
Selections by ANDREA JANKE Finest Accessories
Photo Credit/Source: VOGUE
Photography by Sonny Vandervelde & Yannis Vlamos / Indigitalimages)
More To Love ...
'Well, let’s step back a bit. Actually, you won’t be able to step back far enough to get a complete idea of what was going on in the Prada show, because the sensational Mexican wall art she’d commissioned to wrap around the walls massive murals of women’s faces don’t show up in the runway pictures.'