ANDREA JANKE Finest Accessories: Miu Miu

Showing posts with label Miu Miu. Show all posts

Sunday, 28 June 2015

"Girls Approaching Car" by MIU MIU F/W '15/16 Campaign

MIU MIU releases 'SUBJECTIVE REALITY', the new Fall/Winter 2015/16 Ad-Campaign. Maybe it’s the season, or the constant change in fashion, but high fashion seems to be taking their campaigns in another direction the streets. First, there was Gucci, and now Miu Miu. The Italian house shot their Fall 2015 campaign in New York City, from the bus stop to the traffic lights to the sidewalk. Campaign shot by Steven Meisel, starring Maddison Brown, Hailey Gates, and repeat Miu Miu campaign stars Mia Goth and Stacy Martin, the four models pose casually accompanied with a backdrop of equally stylish passer-bys.

We love how the photos come with obvious captions such as “girls approaching car” and “waiting at bus stop”, something in which Miu Miu does not usually adhere to. If this means a fresh take for the label from Miuccia Prada, we’re totally in.

Selections by ANDREA JANKE Finest Accessories

Photo Credit Source: The House of MIU MIU

More To Love ...

'GUCCI Fall/Winter 2015/16 Ad-Campaign'

GUCCI Fall/Winter 2015/16 Ad-Campaign, photographed by Glen Luchford (via Instagram) and featuring models Tessa Charlotte Bruinsma, Tobias Lundh, Lia Pavlova and Sven de Vries.

Enjoy GUCCI summer sale with free express shipping,

to shop please click here on gucci.com.

LoL, Andrea

Click on the link or GUCCI-banner to shop the collections
on summer sale with free express shipping - enjoy!

LoL, Andrea

Fashion is in Full Bloom

Coming Up Roses

An abstract, paint-splattered print and a textural stole give an elongated sheath a new lease on life. Miu Miu Spring/Summer 2013 satin dress, tie-dyed fox stole, and heels.

Petal Pushers

PRADA Spring/Summer 2013 - Prada’s more relaxed take on the fitted trend accented with Warhol-like daisy-print decorations ramps up the heat of demure, shin-skimming looks.

Hunter Gatherers

Jil Sander Spring/Summer 2013 - Clean lines and a rich, bold palette provide both contrast and clarity amid a chaotic color riot.

Parallel Lines

Marc Jacobs Spring/Summer 2013 - Horizontal or vertical, jailbird stripes add a bold playfulness to a conventionally cut skirt suit.

Night Moves

Proenza Schouler Spring/Summer 2013 - Perforated leather jackets and skirts, rendered in striking vermilion, convey a tough femininity that’s not for shrinking wallflowers.

Greenhouse Effect

Balenciaga Spring/Summer 2013 by Nicolas Ghesquière - Cascading ruffles along a high-low hemline are miles above and beyond mere frills or excess, while minimalism as seen in a boldly cropped top springs free of Puritan airs.

Fertile Ground

Burberry Prorsum Spring/Summer 2013 by Christopher Bailey - Perhaps it’s the enduring appeal of an hourglass-enhancing corset, but some satin bustiers have the power to bring people to their knees.

Light Bright

GIVENCHY Spring/Summer 2013 by Riccardo Tisci - Clean lines and languid proportions may look over their shoulder to the nineties, but skin-baring cutouts cultivate their own provocative new elegance.

Ripe On The Vine

Céline Spring/Summer 2013 - The luxurious, lunar-like shimmer of satin in the moonlight calls for the kind of singular accent that only a fur pump can provide.

Into The Wild

Rochas Spring/Summer 2013 - Skirt suits get an update by way of the past with fifties lengths and sixties graphics. Take your pick: a soft, powdery hue or two-tone, high-contrast prints.

Selections by ANDREA JANKE Finest Accessories

Photo Credit/Source: © VOGUE

Photography by © Steven Klein

More To Love ...

'The Individual Work of Art | Demi-Couture by VIONNET'

Miu Miu Spring/Summer 2013

"I wanted them to be very elegant, but in a way that contains all the opposites of elegance,” said Miuccia Prada of the looks in her tightly focused Miu Miu collection. Prada created a capsule wardrobe of classic fifties shapes like a full-cut, swinging clutch coat; a pencil skirt; and a sweater-girl brassiere top, accessorized with upsweep Mad Men secretarial eyeglasses and contrast-colored opera gloves, and warped them into something unexpected. Those tops, for instance, were deliberately cut to be ill fitting, and, as Prada added, “the rich fabrics destroyed with crushing, with tie-dye and the poor upgraded,” so that denim and plasticized vinyl, for instance, were transformed into tailored pieces with a whiff of mid-century haute couture to them, whilst duchess satin was pummeled to destroy its body, and bedazzling chunks of rhinestone were strung haphazardly on leather lariat necklaces or used to decorate the straps of a flat, biblical sandal, such as you might find on a Greek island holiday.

The bold prints, like exploding stars or glowing orbs, had the look of fifties abstract art (they were also replicated in sophisticated intarsia treatments of fox or mink), but then the whole show had the vibe of a Funny Face-era Left Bank existentialist jazz bar, with the low, smoky lighting, and the sound track that mixed the musical riff from Malcolm McLaren’s “Jazz In Paris” with Neneh Cherry’s seductive cover of “I’ve Got You Under My Skin.” The look was very Juliette Greco, too, from the hairdos, high-cut bangs and long hair, to the classic high-heeled winklepicker shoes. “Very Parisian,” said Prada, “but in a fake way, in a wrong way! But in the end I wanted them to be elegant,” she added, and, in that quirky discordance of which Prada is a master, think a rose pink mink paletot with a lipstick-red vinyl sheath dress, or a classic Queen Elizabeth II handbag constructed to crush as flat as an envelope they were.