ANDREA JANKE Finest Accessories: Château de Versailles

Monday, 10 June 2013

"Secret Garden" by DIOR

Versailles holds on to its secrets very well. At its heart is to be found a mysterious world, peopled with flower-women that only artists Inez Van Lamsweerde and Vinoodh Matadin could capture. For the second installment of "Secret Garden", they pick up the historical thread that ties Versailles to Dior. Discover their film here.

They had left her in the pathways of the traditional French parkland. And it's deep within the forests of the royal demesne, among the centuries-old trees of Versailles, that the artists Inez Van Lamsweerde and Vinoodh Matadin found the model Daria Strokous once again. A modern Marie-Antoinette, a stately lady in Dior, she moves toward a world of elegance and refinement, crossing the marble hallways of the Grand Trianon and the shaded groves of the vast parkland. Ethereal, radiant, royal, in pursuit of her ideal: a realm of poetry and color, worthy of the painting "Le Déjeuner sur l’Herbe" by Edouard Manet. Before the camera lens of Inez and Vinoodh, Versailles hums with well-kept secrets. Secrets whispered by flower-women, by women in Dior.

The Château de Versailles, emblem of Dior's tradition, hosts a new tale which brings to life the Dior Fall 2013 collection. The chateau and its park abound with well-kept secrets. The heart of the royal land conceals an extraordinary world of poetry and color: in the depth of its mysterious woods a secret garden blooms out of sight, inhabited by flower-women. From the Petit Trianon to the enchanted forest, Versailles becomes the picturesque backdrop of a dreamlike tale.

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Photo credit/Source: Courtesy of Christian Dior

Mor DIOR To Love ...

'DIOR Installation at L'Art du Jardin'

"From Friday, May 31th until June 3rd, the Paris' Grand Palais museum was transformed into a beautiful garden to welcome the exhibition ‘L’Art du Jardin’. The House of Dior actually exposed there with a stunning installation ..."

Photography by @andreajankeofficial via Instagram

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'Daphne Groeneveld For Dior Addict Gloss'

Friday, 1 June 2012

Versailles Miscellaneous | CHANEL Cruise 2013

CHANEL Mood - Fountains of youth for Chanel at the Château de Versailles

Chanel has set the tone for its Cruise 2013 collection by selecting the Bosquet des Trois Fontaines at the Château de Versailles as the setting for its runway. Adorned with shells, rock formations and fountains, the grove was designed in 1677 by France’s Sun King, Louis XIV (a charismatic monarch, lover of Versailles, friend to the arts and a man of many talents – like a certain Karl?), and was constructed by his gardener André Le Nôtre. The result is a youthful, playful, elegant and whimsical collection, modern yet Baroque at the same time.

The gardens were filled with the winds of a grunge fantasy on Monday evening, May 14th, set to the sounds of harpsichord music and electro Michael Jackson remixes. Inspired by the rebellious spirit of La Fronde, the collection boasted bob-styled wigs in an array of pastels or in jet black, chopped high at the back of the head (bringing the infamous guillotine to mind) and worn over long ponytails tied with ribbons. Even more radical was the dramatic makeup of these young party-girl marchionesses wandering through boxwood mazes and sighing gardens in a pale Twilight-inspired palette with tiny interlocking CC beauty marks under their eyes.

Les Marie Antoinettes' de CHANEL

However, the truly revolutionary look of this Cruise collection made its triumphant entrance as the first models appeared: edgy “luxury street wear” platform sneakers and lace ruffled crinoline split skirts, an artistic blend of classicism and street style. Knee-length pedal pushers that button snugly below the knee showcased movement, youthfulness and lightweight style. Paired with gold platform sneakers, these soft denim breeches are one of Karl Lagerfeld’s fetish items. Gold-embroidered sleeveless denim jackets with military details created an opulent, offbeat look while white tweed jackets braided with patriotic colors of scarlet pink, blue and white were an ultra-trendy nod to the country’s revolutionary heritage.

The favorite looks included palazzo pants paired with three-quarter sleeve lace-adorned jackets, a white blouse with gigot sleeves peeping out from underneath a tailored jacket, mini-skirts swishing with every step, gracefully noble waistcoats, and an edgy rock-inspired black jacket embroidered with sequins and zipped up over a short marquisette skirt. The pleated gold skirt paired with a white sweatshirt fitted at the waist was simply regal, while colored acetate inlays and applications on virgin-white dresses summarized Chanel’s take on how to successfully blend eighteenth-century style with twenty-first-century materials. Upon leaving the Bosquet des Trois Fontaines at dusk after this aristo-rock ball infused with youth, tenderness and frivolity (the ingredients for enduring nostalgia), we were reminded of the words of Jean de La Bruyère: “The most delicate, the most sensible of all pleasures, consists in promoting the pleasure of others.” Chanel, indeed.